How to trace art painter without signature ?

Numerous paintings do not have a signature. One must then attribute them to an artist, assign them an authorship. If this is impossible, one speaks of an anonymous artist and specifies the age and school (eg: Flemish school, XVIth century). However, it is often possible to establish a bond with an artist. One time this band is fixed and then they say that the work is 'from' or 'by' Rubens. The other time this band is less certain. If a slight doubt persists, it is said that the work is 'attributed' to Rubens. If one judges that the work is not of the master, but of one of his pupils, one speaks of 'the workshop of' Rubens. If one thinks that the band is less strict, that is to say that the painting dates from the master's period and was inspired by him, but is not his or his studio, then one speaks of the 'entourage of' Rubens or from a follower of Rubens. Finally, when the work dates from a period after Rubens (and sometimes with a difference of several centuries), one speaks of a painting 'in the style of' or 'in the manner of', or 'to'.
 

An expertise consists of two steps that can not be confused with each other.

The expert begins by describing the artwork. In doing so, he must answer the question whether he can explain it for real and in some cases also the question to whom it should be attributed. Only when he has checked all this, can he proceed to the second step, the estimate. For the first step you must be familiar with art history, for the second with the art market. An expert must thoroughly understand the mechanisms of the market and analyze the data on the internet. The information that is readily available there, even if you have to pay for it, take it by foot is the best way to estimate too low and thus to lose the sales, or to estimate too high, which is the same, because then the risk that it will not come to a transaction. In addition, an expert must remain modest. In principle, he is better placed than his client for estimating a work, if he thinks he is expert in all areas, you can be sure that he is inexpert in every area. You can not at the same time know everything about such diverse things as old paintings, silverware, carpets and old furniture? At least, we think about expertise ...
 

Estimating a work of art is not an exact science. The truth does not exist here.

 The word 'treasure' says well what matters: the value that the expert puts forward is based on a number of uncertainties and assumptions. Because each work of art is unique, the expert goes in search of works that share as many characteristics as possible and have recently sold publicly or privately (insofar as he can verify the latter). Only on the basis of his experience can he correctly interpret the data on databases on the internet. Each artwork has two values. Just as a financial product has a sales price and a purchase price, a work of art has a sales value and a purchase value. The difference between the price that is asked for a work and the amount that this same work would give you if you sold it for any reason is the difference between its 'purchase price' and its 'sales price' or in other words the profit which is made when trading. In short, if you want to estimate a work in the context of an inheritance or a distribution, because you want to have it insured or because you are faced with an important purchase, recourse to an expert is the only way to obtain information that trust, remain confidential and focus on your situation.

How to find a artist from a painting?

How can you quickly figure out an art painter from a painting? a number of useful tips. If the signature is reasonably readable but not entirely, use the section that you can read correctly. Here is a good example. This was a painting I had recently visited

 

 

The signature is reasonably unreadable. There are a number of letters that are good to read. like the F & Chatt. These are the letters that I am going to search for. To begin with, I search for a list of Dutch art painters because this is once a painting that was bought in the Netherlands. There are several sites where this can be found but for convenience I have placed a list of Dutch painters on this blog ->

klikhier: LIJST ALFABET HOLLANDSE SCHILDERS  

Click here: LIST ALL WORLD PAINTERS

Once you are on the site, you search quickly and easily through the search option. 
CTRL + SHIFT + F



A search window now appears, in which you type your clearly readable letters from the signature. the readable letters must be next to each other in the signature. In the example this was "chatt" A number of names will be found. Compare these names with the signature and you may find the right one. With the painter's example, the "chatt" part clearly emerged and the search result immediately matched the right painter.



 Rossum du Chattel of Frederic Jacobus 1856-1917 Now you can easily find out who the painter is that match with google. There is a lot to be found on the internet nowadays as well as what a painter is. Whether the painting you have corresponds to the working of the found painter. And of course whether the signature matches the painter found. It is soon to be found that the painter often signs with "Fred.F.du Chattel".



The painting I was looking for, however, was different. "n.F.J.du Chattel". Many paintings are often painted after large masters. The paintings were then often signed with a letter N in front of it, ie painted to. By searching google with the painter there is a lot to be found. This is also the original work of van du chattel. The after-done work of du chattel:

 

The Utrecht Vecht and its surroundings inspired F.J. from Rossum du Chattel to painting numerous impressions of this river, which is why he was called 'the painter of the Vecht' by critics. He also painted the landscape around The Hague. He was born in Leiden in 1856, received his first painting lessons from his father, Jan Hendrik van Rossum du Chattel, and then worked in The Hague in the studio of the Hague impressionist Willem Maris. Museums: including the Haags Gemeentemuseum. 

If your painting does not have a signature look then here: How to trace art painter without signature / signature?



Signatures are unique and often reveal something of our individual personalities. In this intriguing book, John Wilmerding—an eminent historian of American art—explores the unconventional use of signatures in paintings. The author focuses on American artists who have not simply signed their works on a corner of the canvas but have intentionally placed their signatures within thepictorial space of the painting. A painter’s name or initials might, for instance, appear as an illusion on a wall or floor, on an object within an interior, or on some form in a landscape. Wilmerding examines such signatures in works by twenty-seven artists from the eighteenth through twentieth centuries, including John Singleton Copley, Winslow Homer, Thomas Eakins, Jasper Johns, Andrew Wyeth, and Richard Estes.
 

Олександр Кочубей (Alexander Kochubey)

Олександр Кочубей (Alexander Kochubey)

Alexander Kochubey was born in the city of Novocherkassk in 1956. From 1973 to 1979 he studied at the Art Studio of Novocherkassk, Zakharin workshop, studio of Alexander Kalmykov. Since 1974 he participated in regional exhibitions in Rostov region (Russian Federation). Member of the Society of Artists Studio of Kuinji since 1985, in the city of Mariupol. Since 1988 he participated in exhibitions of Society Slavic culture, the
city of Riga, Latvia. Member of the Union of Independent Artists "Prologue" since 1996, in the city of Zhitomir. He participated in 3 regional exhibitions. Participated in the exhibition "The Artist and The Sea" of the Union of Artists of Ukraine since Participated in exhibitions Fund "Renaissance" since 2001, in the city Kiev. His works were bought by the museums of Mariupol, Riga, Leningrad (Saint Petersburg) and
private collectors from Spain, Asia and America.

https://auction.catawiki.com/kavels/1650223-alexander-kochubey-1956

Alexander Kochubey
was born in the city of Novocherkassk in 1956.
From 1973 to 1979 he studied at the Art Studio of Novocherkassk,
Zakharin workshop, studio of Alexander Kalmykov.
Since 1974 he participated in regional exhibitions in Rostov region.
(Russian Federation).
Member of the Society of Artists Studio of Kuinji since 1985, in the
city of Mariupol.
Since 1988 he participated in exhibitions of Society Slavic culture, the
city of Riga, Latvia.
Member of the Union of Independent Artists "Prologue" since 1996, in the city of Zhitomir.
He participated in 3 regional exhibitions.
Participated in the exhibition "The Artist and The Sea" of the Union of Artists of Ukraine since
Participated in exhibitions Fund "Renaissance" since 2001, in the city Kiev.
His works were bought by the museums of Mariupol, Riga, Leningrad (Saint Petersburg) and
private collectors from Spain, Asia and America.